My painting “We Hunt the Doe” has been selected from 2,774 entries from across the United States for the semifinalist round of the Smithsonian Institution’s National Portrait Gallery triennial Outwin Boochever Portrait Competition, 2022.
"We Hunt the Doe" will travel to Washington, D.C. this summer for the final round of judging in September. Here is more information about the Outwin Boochever Portrait Competition.
"We Hunt the Doe" is from my series, "I Believe in Ghosts," which explores the lasting psychological impact of sexual trauma.
Work in process rose and lemon details with palettes from a new piece from my "I Believe in Ghosts" series.
"Title TBD," oil on linen, 34 x 28 inches (86 x 71 cm).
I couldn't agree more with the folks at Marin Living that commissioning a one-of-kind portrait is the way to spoil oneself and our furry friends! I take great pleasure collaborating on animal portraits with collectors to reflect the special bond shared with their furry family members. You can learn more about commissioning an animal portrait on my Commission FAQ page. Thank you to Casey Gillespie and Marin Living for featuring my painting of the marvelous Mr. Freddie in the 2021 March Sip & Savor print issue. View digital copy here.
Love Freddie? You can shop Freddie prints here.
Here I've compiled detail photos of the head in "We Hunt the Doe" in order to show a glimpse into my process. The images progress from the development of the black and white "dead layer" through various color glazes to get to the final result.
Throughout my series, I Believe in Ghosts, I reference vanitas — 17th century Dutch still lifes — to draw on the tradition of sharing a moral lesson. Vanitas paintings present an array of objects as symbols to remind us of the transience and vanity of human existence and earthly possessions and pleasures. My modern interpretation of vanitas puts the female figure directly in the composition, exploring transience of innocence, value, and agency relating to female identity. I use symbolism and allusion to convey the tension between objectifying the female body and recognizing the rich interiority of the female subject.
Objects have histories, yet are unable to speak them — what does it really mean to treat women as objects?
Today I wanted to share my painting Bald Eagle which I made to be representative of women taking stronger and more prominent roles in politics -- Notice the feather quills on her blouse -- She's rewriting history! I'm with Kamala Harris and wish her and Joe Biden every success.
Ourself Behind Ourself, Concealed, from my I Believe in Ghosts series, is exhibiting for the first time in a group exhibition at Verum Ultimum Gallery in Portland, Oregon. From the organizer: "Chasing Ghosts V is a collection of art that pierces the veil through remembrance, legacy, and beyond."
Experience the works in person or online here.
Chasing Ghosts V from October 25 - November 28, 2020
Verum Ultimum Art Gallery
3014 NE Ainsworth Ave,
Portland, OR 97211
I am hosting a live virtual open studio as part of ArtSpan's 2020 San Francisco Open Studios. You may be thinking -- What does that even entail? I will be live in my studio on video chat happily talking about everything from my new work to my creative process, and available to chat with you face-to-face and answer any questions you might have. The interface is similar to a Zoom meeting, and the Booth Central platform is set up so you can visit with me, as well as 60+ Bay Area artists at your leisure on October 3rd. It's definitely going to be a fun and memorable year for my open studio, and I hope to see you there, from wherever you are in the world!
Good to know:
I'm pleased to share that my 2016 painting, America: She Was Asking For It, was included in an important new book, Not Normal: Art in the Age of Trump.
I am one of 147 artists responding to socio-political issues in the age of Trump. While the content is serious, flipping through the pages is cathartic. This powerful collection of 350+ artworks was curated by Karen M. Gutfreund, Independent Curator.
Copies of "Not Normal" are available to purchase here.
America: She Was Asking For It was born in a nightmare I had on the night of the 2016 presidential election. It depicts a revealing portrait of not only America’s elected Head of State but also his wife and Vice President and Mrs. Pence.
A variety of symbols evoke both an immediate visceral reaction, such as the confederate flag, as well as an ongoing discovery of depravity represented as small painted details, such as the pins, that reveal contradictions and hypocrisy.
I utilized the bright coloring effects of gouache to capture the flashy tone of media imagery and intentionally made the work small to emphasize the insufficient attention and transitory coverage given to these issues by the media.
I created this space to showcase my past work, chronicle my current projects, and share my inspiration.