Jamie L. Luoto: Portraits of Society

Portraits of Society

©Jamie L. Luoto, "Churning Victory," gouache and ink on paper, 24 x 18 in., April 2018, private collection

Churning Victory

Created in solidarity with the Time’s Up! And #Metoo movements, “Churning Victory,” uses metaphor and caricature to call out how egregiously greed, objectification and exploitation damage individual as well as overall gender identity in our patriarchal society’s treatment of women.

“Gentlemen” — who we might assume from their dress, wealth and social status to be honorable or acceptable — are committing crimes around a race track symbolizing the way in which sexuality and male/female relations have been turned into spectacle, competition, and entertainment.

Past and present collide here: the observers are dressed in the style of the Victorian era, but the jockeys and women on the track are clearly from present time. Indeed, while we have been taught that in the developed western world the objectification, exploitation and abuse of women were supposed to be things of the past, it continues to this day.

Vulva Drain $300

In Vulva Drain $300 I portray an imposition of patriarchal values, both morally and physically, in what should be a safe space, a doctor's office.

“[Jamie's] piece was a central point of discussion on a number of occasions ... the doctors/nurses were eager to share experiences... It was a real hit and a fantastic point of departure for some important conversations.”

- Lauren Nye, Director of Exhibitions on using “Vulva Drain $300” in a monthly program for doctors, nurses, and doctoral students at the Susquehanna Art Museum.

America: She Was Asking For It

America: She Was Asking For It was born in a nightmare I had on the night of the 2016 presidential election. It depicts a revealing portrait of not only America’s elected Head of State but also his wife and Vice President and Mrs. Pence.

A variety of symbols evoke both an immediate visceral reaction, such as the confederate flag, as well as an ongoing discovery of depravity represented as small painted details, such as the pins, that reveal contradictions and hypocrisy.

I utilized the bright coloring effects of gouache to capture the flashy tone of media imagery and intentionally made the work small to emphasize the insufficient attention and transitory coverage given to these issues by the media.

When the Rest of Heaven Was Blue

When the Rest Of Heaven Was Blue is an intentionally mysterious piece. Memory or illusion is suggested by rough brush work and surreal qualities, such as the lit cigarette in the hand of someone who cannot smoke. By applying the literary and dramatic technique in medias res (“in the middle of things”) to this work, one is left to ponder - what might have just happened? and what might be about to happen?

Sober Jockey

Male dominance of art has denied women ownership over our identity & caused crimes & injustices against women to be ignored, dismissed, & glossed over. I confront this head-on by reinterpreting Henri Fuseli's, The Nightmare, from a female perspective. A scene presented as a nightmare is now one depicting the very real trauma associated with violence against women - a reality for millions of women.

Two Fawns

Through the use of a traditional storybook illustration format, and a little half-sibling humor, this work of art explores the exclusion of alternative family units to the mainstream nuclear family narrative.