Churning Victory
Gouache and ink on paper, 24 x 18 inches, 2018, private collection
Created in solidarity with the Time’s Up! And #Metoo movements, Churning Victory, uses metaphor and caricature to call out how egregiously greed, objectification and exploitation damage individual as well as overall gender identity in our patriarchal society’s treatment of women.
“Gentlemen” — who we might assume from their dress, wealth and social status to be honorable or acceptable — are committing crimes around a race track symbolizing the way in which sexuality and male/female relations have been turned into spectacle, competition, and entertainment.
“Gentlemen” — who we might assume from their dress, wealth and social status to be honorable or acceptable — are committing crimes around a race track symbolizing the way in which sexuality and male/female relations have been turned into spectacle, competition, and entertainment.
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Vulva Drain $300
Oil on wood panel, 24 x 20 inches, 2017
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In Vulva Drain $300 I portray an imposition of patriarchal values, both morally and physically, in what should be a safe space, a doctor's office.
“[Jamie's] piece was a central point of discussion on a number of occasions ... the doctors/nurses were eager to share experiences... It was a real hit and a fantastic point of departure for some important conversations.” |
America: She Was Asking For It
Gouache on paper, 15 x 19 inches, 2016
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America: She Was Asking For It was born in a nightmare I had on the night of the 2016 presidential election. It depicts a revealing portrait of not only America’s elected Head of State but also his wife and Vice President and Mrs. Pence.
A variety of symbols evoke both an immediate visceral reaction, such as the confederate flag, as well as an ongoing discovery of depravity represented as small painted details, such as the pins, that reveal contradictions and hypocrisy. I utilized the bright coloring effects of gouache to capture the flashy tone of media imagery and intentionally made the work small to emphasize the insufficient attention and transitory coverage given to these issues by the media. |
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America: She Was Asking For It, was included in an important art as visual protest book, Not Normal: Art in the Age of Trump.
I am one of 147 artists responding to socio-political issues in the age of Trump. While the content is serious, flipping through the pages is cathartic. This powerful collection of 350+ artworks was curated by Karen M. Gutfreund, Independent Curator. Below is minute-and-a-half long video highlighting some of the artworks. Copies of Not Normal are available to purchase here. |
When the Rest of Heaven Was Blue
Oil on canvas, 48 x 36 inches, 2016
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When the Rest Of Heaven Was Blue is an intentionally mysterious piece. Memory or illusion is suggested by rough brush work and surreal qualities, such as the lit cigarette in the hand of someone who cannot smoke. By applying the literary and dramatic technique in medias res (“in the middle of things”) to this work, one is left to ponder - what might have just happened? and what might be about to happen?
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Sober Jockey
Oil on canvas, 20 x 20 inches, 2016, private collection
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Male dominance of art has denied women ownership over our identity & caused crimes & injustices against women to be ignored, dismissed, & glossed over. I confront this head-on by reinterpreting Henri Fuseli's, The Nightmare, from a female perspective. A scene presented as a nightmare is now one depicting the very real trauma associated with violence against women - a reality for millions of women.
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Two Fawns
Gouache on paper, 11 x 14 inches, 2012
Through the use of a traditional storybook illustration format, and a little half-sibling humor, this work of art explores the exclusion of alternative family units to the mainstream nuclear family narrative.
