 Tiger, gouache on paper, 14x11 inches, 2022 I am very pleased to introduce my latest animal portrait, Tiger. She is a Siberian tiger, with an independent and creative spirit, created in this year of the Tiger. The original painting will debut and be available for acquisition during Art At the Source, 2022.
Art at the Source - Join myself, Bill Theis (photographer) and Michelle Hoting (jewelry artist) for a two weekend exhibition at Michelle's studio in Santa Rosa, California. This is an in-person event. Up-to-date covid-safe practices will be in place. June 4-5 & 11-12 10am-5pm Studio #9 321 Buena Vista Drive Santa Rosa, California
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I couldn't agree more with the folks at Marin Living that commissioning a one-of-kind portrait is the way to spoil oneself and our furry friends! I take great pleasure collaborating on animal portraits with collectors to reflect the special bond shared with their furry family members. You can learn more about commissioning an animal portrait on my Commission FAQ page. Thank you to Casey Gillespie and Marin Living for featuring my painting of the marvelous Mr. Freddie in the 2021 March Sip & Savor print issue. View digital copy here. Love Freddie? You can shop Freddie prints here.
  © Jamie L. Luoto, "Melvin," gouache on paper, 24 x 20 inches, 2021, commissioned for private collection.  (c) Jamie L. Luoto, "Bald Eagle," gouache on paper, 14 x 1 1inches (35x28 cm), 2018, private collection. Prints available. Today I wanted to share my painting Bald Eagle which I made to be representative of women taking stronger and more prominent roles in politics -- Notice the feather quills on her blouse -- She's rewriting history! I'm with Kamala Harris and wish her and Joe Biden every success.
Like so many others, I am currently under orders to shelter-in-place due to Covid 19. As an artist and introvert, this practice doesn't greatly impact my typical day-to-day, but I am aware that as much as I am content being alone, others are not. These are strange and uncertain times and it's in my heart to help lift spirits and alleviate some of the stress faced during this time of extreme change. With that, I would like to share an activity I made for you and the children in your life. I've made two of my animal portraits into coloring pages that can be printed at home, colored and enjoyed. I hope these provide a little joy and entertainment. And I'd love to see what you create! Please share with me on instagram @jamie_luoto or use #ColoringWithJamie.   © Jamie L. Luoto, "Emma," gouache on paper, 24 x 20 in., August 2019 Emma is a strong and fiercely independent feline with an adventurous spirit. She hostesses for TWA on direct flights from San Francisco to Hong Kong.
 © Jamie L. Luoto, "Beau," gouache on paper, 24 x 20 in., 2019, commissioned for private collection. Beau is a dashing little Cavapoo, a Cavalier Kind Charles Spaniel and Poodle mix, who finds his sweet and impish nature challenged by a pair of taunting crows.
Prints available on Etsy. I presented a talk at the downtown Napa Main Library on July 12, 2019 about how and why I make my animal portraits. In my talk, I reveal a pivotal moment from my childhood, something unique about how I think and how that shapes my art, and I describe my process in depth. Please enjoy this recording from the opening reception, as well as a write up from the Napa Country Register.
Art in the Library featuring Jamie L. Luoto runs throughout the month of July 2019. Click here for more details.  © Jamie L. Luoto, "Orca & Odie," gouache on paper, 24x20 inches, 2019, commissioned for private collection It is an awesome responsibility and honor to create a portrait of remembrance. I was touched by my collector's love for her two dogs, Odie, who had recently passed away, and Orca. The pair shared a special bond and this piece is a terrific example of how individual identities meet and meld into a unique relationship, a sort of evolved oneness. Ultimately this piece is neither about Orca or Odie, It's about how they related to one another as individuals and the choices and life they shared together. 
CONCEPT & THUMBNAILS & COLOR PALETTE In the case of a commissioned portrait, I begin with research and interviews. I explore the subjects behavior, diet, and home. I think of breeds the same way we think of our own human ancestry, and I consider stories about the subject, as well as how they relate to the members of their family. With this information I imagine who this creature might be and sketch out ideas of how they would appear in a portrait of themselves. For example, Orca and Odie kept checks and balances on one another - Odie's loving and free spirit complimented and challenged Orca, whose herding background informed her practical nature and desire to keep tabs on her family, especially Odie! My approach to color in a commissioned work is both a consideration for my collectors taste, while also taking into consideration the different emotional or symbolic interpretation a color can represent. For example, we decided on a cool jewel tone palette. In Orca & Odie the outdoors, and in particular water, in it's many forms were important to the pair. Within the range of jewel tone colors, I created an abstract geode looking background representative of the cool and fresh alpine feeling of dancing water and twinkling snow. It's important to know my color palette before I begin painting with gouache — unlike acrylic and oil, gouache doesn’t allow one to simply paint over something unliked. The colors I select are part of the story the painting tells and emphasize the animal’s identity.  DRAWING Before I begin painting, I draw a realistic rendering of my subject(s) in graphite. In Orca & Odie I had to consider the relation of their size and builds for accuracy and correct proportions. Orca has more pointed features, but a thick and ample coat of fur, whereas Odie had a boxy, muscular build with very short fur. Once the drawing is finalized, I erase my pencil work until it is just barely visible. The faint pencil marks are essential because I use my line work as a map to block in color, but it is important that I erase enough so that the pencil marks do not show through the paint.
PAINTING I typically begin by blocking out the background color or the outfit, and then I apply a number of translucent washes to the face to develop the structure and depth through gradual shading. As my work progresses, the opacity of my paint increases, my brushes get smaller, and the painted details more exact. I spend hours painting individual hairs and blending until I am satisfied with the detail in my work. How do I know when I’m finished? There is a certain level of precision detail that appears finished to me. I no longer see areas wanting for more — more hairs, speckles, sheen, shading etc… it’s a combination of experience and a gut feeling. My portraits go beyond a likeness of the subject, they celebrate individuality, capture the spirit, and encapsulate stories, all of which bring the piece to life.    |
 I created this space to showcase my past work, chronicle my current projects, and share my inspiration.
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Jamie L. LuotoSan Francisco Bay Area
Healdsburg, California, USA Studio Visits by Appt. |
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